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Jean-Baptiste Carpeaux (1827-1875)La Rieuse napolitainecirca 1875
circa 1875
About the Item
La Rieuse napolitaine
(The Laughing Neapolitan Woman)
by Jean-Baptiste CARPEAUX (1827-1875)
Bust in terra cotta, in "Propriété Carpeaux"
Signed on the side " JBte Carpeaux "
Marked with the stamp ‘Propriété Carpeaux’ with the Imperial Eagle mark.
Made during Carpeaux' lifetime or shortly after his death
France
circa 1875
height 49,5 cm
width 30 cm
A similar model is reproduced in « Jean-Baptiste Carpeaux sculpteur, catalogue raisonné de l’œuvre édité », Exposition du Musée des Beaux-Arts de Carcassonne, 2003, page 149.
Biography :
Jean-Baptiste Carpeaux (1827-1875) grew up in a modest family of workers in Valenciennes. He liked to draw and wanted to study sculpture against the will of his father. At the Academy of the city, he followed René Fache's sculpture classes and Bernard's architecture classes. Arrived in Paris in 1838 with his family, Carpeaux received a first training in drawing and modeling at the Little School. In 1844, he entered the School of Fine Arts in Paris in the studio of François Rude. Ten years later, he won the Prix de Rome. His arrival in the Italian capital was deferred for a year, the artist having to complete several orders. Carpeaux moved to the villa Medici in January 1856 and studied the great masters: Raphael, Michelangelo. He travelled to Italy where he drew his taste for movement and spontaneity. From his Italian stay, he sculpted three shipments, the Little Pouter, the Fisherman with the shell and his Ugolin surrounded by his four children.
In 1862, as he returned to Paris, Carpeaux was introduced to the imperial court by his friend and patron, Eugene Halwin Piennes, soon chamberlain of the Empress. He sculpted the same year a bust of Princess Mathilde whom allowed him to obtain several orders from the Emperor Napoleon III. But each of his works, in which his naturalist conceptions and his desire to recreate the movement inspired by the Baroque style, were the subject of controversy. Carpeaux took part in the exterior decoration of the Flore pavilion at the Louvre Palace (The Triumph of Flora, considered too sensual), and the opera newly built by Garnier, with a high relief La Danse, indignant to the public by his freedom and his realism.
He collaborated with the architect Gabriel Davioud for his latest work, the Fountain of the Four Parts of the World, also known as Fontaine de l'Observatoire in Paris. The last years of his life were dark. The war and the defeat of 1870 dried up the orders. At the same time, Carpeaux developed, with respect to his wife, an unhealthy jealousy that led to the separation of the couple in 1874. Under the influence of his parents, short of money, he abandoned the direction of his workshop to his brother. In 1875, he died at the age of forty-eight, after a terrible suffering due to bladder cancer. Jean-Baptiste Carpeaux, very attached to his hometown, bequeathed part of his works to the Museum of Fine Arts of Valenciennes.
- Creator:Jean-Baptiste Carpeaux (1827-1875) (1827 - 1875, French)
- Creation Year:circa 1875
- Dimensions:Height: 19.49 in (49.5 cm)Width: 11.82 in (30 cm)Depth: 11.82 in (30 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:PARIS, FR
- Reference Number:Seller: N.X1stDibs: LU2514214046622
Jean-Baptiste Carpeaux (11 May 1827 – 12 October 1875) was a French sculptor and painter during the Second Empire under Napoleon III. Life Born in Valenciennes, Nord, son of a mason, his early studies were under François Rude.Carpeaux entered the École des Beaux-Arts in 1844 and won the Prix de Rome in 1854, and moving to Rome to find inspiration, he there studied the works of Michelangelo, Donatello and Verrocchio. Staying in Rome from 1854 to 1861, he obtained a taste for movement and spontaneity, which he joined with the great principles of baroque art. Carpeaux sought real life subjects in the streets and broke with the classical tradition. Carpeaux debuted at the Salon in 1853 exhibiting La Soumission d'Abd-el-Kader al'Empereur, a bas-relief in plaster that did not attract much attention. Carpeaux was an admirer of Napoléon III and followed him from city to city during Napoléon's official trip through the north of France. After initially not making any contact with the emperor, he finally succeeded in arranging a face-to-face encounter at Amiens where he managed to convince Napoléon to commission a marble statue that was to be carried out by a practitioner, Charles Romain Capellaro. Carpeaux soon grew tired of academicism and became a wanderer on the streets of Rome. He spent free time admiring the frescoes of Michelangelo at the Sistine Chapel. Carpeaux said, "When an artist feels pale and cold, he runs to Michelangelo in order to warm himself, as with the rays of the sun". While a student in Rome, Carpeaux submitted a plaster version of Pêcheur napolitain à la coquille, the Neapolitan Fisherboy, to the French Academy. He carved the marble version several years later, showing it in the Salon exhibition of 1863. It was purchased for Napoleon III's empress, Eugénie. The statue of the young smiling boy was very popular, and Carpeaux created a number of reproductions and variations in marble and bronze. There is a copy, for instance, in the Samuel H. Kress Collection in the National Gallery of Art in Washington, D.C. Some years later, he carved the Girl with a Shell, a similar study. In 1861, he made a bust of Princess Mathilde, and this later brought him several commissions from Napoleon III. Then in 1866, he established his own atelier in order to reproduce and make work on a grander scale. In 1866, he was made chevalier of the Legion of Honour. He employed his brother as the sales manager and made a calculated effort to produce work that would appeal to a larger audience.[3] On 12 October 1875, he died at George Barbu Știrbei's château in Bécon-les-Bruyères, outside Courbevoie. Among his students were Jules Dalou, Jean-Louis Forain and the American sculptor Olin Levi Warner.

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